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First edition. An essential book for the student of the printing history. With the bookplate and pencil signature of Gavin Bridson. Spine slightly faded. 263 pages with 108 illustrations in the text and 64 plates. cloth.. 4to..

Label tabs quickly for your high-volume projects when you use these Print-On(TM) Tabs. You'll get dozens of tabs filled with sharp text in just a few minutes. Quality dividers can be used with offset presses and high-speed copiers. Print directly on tabs for fast results. Three-hole punched dividers are made of white, 100 lb. stock. Each set contains five tabs.

The book you'll rely on to understand just how presses work and how to solve pressworking problems involving press testing, selection and maintenance, die operations, lubricants, and safety equipment. This comprehensive text focuses on the basics of pressworking and provides an overview of pressworking technology for operators and managers. Examples of the press data detailed include: controls, drives, cost and operational comparisons of press types, brakes, feeders, installation and leveling, chutes and conveyors, analyzing press failure causes, die locating methods, reducing deflection, press accessories & programmable force controls.

Reprint. Mass market paperback. 382pp. Text in French. Ownership signature of Chilean pianist Claudio Arrau on front fly ("La Chaux des Fonds 1989"), text block edges slightly foxed, covers with minor edgewear, near fine. Presses Pocket.

1st print (full # line), text new looking, very tight clean and unmarked, appears unread, absolutely NO age toning in text, however if one presses one's nose into text a faint mustiness, boards undamaged and clean with vivid lettering on spine, dust jacket NOT price-clipped, dj shows some edge wear and wrinkling and a sunned spine which however remains legible, Very Good Plus/Good Plus overall condition.

Brings together a selection of writings on the historical, technical and aesthetic aspects of printing. The essays included in this text, some published for the first time, examine accounts of individuals or presses responsible for major contributions to the typographic arts.

Brings together a selection of writings on the historical, technical and aesthetic aspects of printing. The essays included in this text, some published for the first time, examine accounts of individuals or presses responsible for major contributions to the typographic arts.

The book you'll rely on to understand just how presses work and how to solve pressworking problems involving press testing, selection and maintenance, die operations, lubricants, and safety equipment. This comprehensive text focuses on the basics of pressworking and provides an overview of pressworking technology for operators and managers. Examples of the press data detailed include: controls, drives, cost and operational comparisons of press types, brakes, feeders, installation and leveling, chutes and conveyors, analyzing press failure causes, die locating methods, reducing deflection, press accessories & programmable force controls.

The eighteenth century British book trade marks the beginning of the literary marketplace as we know it. The lapsing of the Licensing Act in 1695 brought an end to pre-publication censorship of printed texts and restrictions on the number of printers and presses in Britain. Resisting the standard "rise of the novel" paradigm, Novel Ventures incorporates new research about the fiction marketplace to illuminate early fiction as an eighteenth-century reader or writer might have seen it. Through a consideration of all 475 works of fiction printed over the four decades from 1690 to 1730, including new texts, translations of foreign works, and reprints of older fiction, Leah Orr shows that the genre was much more diverse and innovative in this period than is usually thought. Contextual chapters examine topics such as the portrayal of early fiction in literary history, the canonization of fiction, concepts of fiction genres, printers and booksellers, the prices and physical manufacture of books, and advertising strategies to give a more complex picture of the genre in the print culture world of the early eighteenth century. Ultimately, Novel Ventures concludes that publishers had far more influence over what was written, printed, and read than authors did, and that they shaped the development of English fiction at a crucial moment in its literary history.